Mr. Penumbra’s Twenty-Four-Hour Book StoreThere is, I have learned, a community of very strange men clustered in this part of San Francisco. They visit the store late at night. They come wide awake, and completely sober. And they are always nearly vibrating with need.
For example:
The bell on the door will tinkle and before it’s done, Mr. Tyndall will be shouting, breathless, “Kingslake’s! I need Kingslake’s!” He’ll take his hands off his head (has he really been running down the street with his hands on his head?) and clamp them down on the front desk.
“Kingslake’s! Quickly!”
Mr. Penumbra has a database, believe it or not. The books aren’t shelved according to title or subject (do they even have subjects?) so the database is crucial. It runs on an old Mac Plus, but I copied it onto my laptop and, over the course of a few customer-free nights, mapped it onto a 3D model of the store. (If this sounds impressive to you, you’re over 30.)
So now I will just type in K-I-N-G-S-L-A-K-E and the model will rotate and zoom in on aisle 3, shelf 13, which is only about thirty feet up.
“You have it? Oh thank goodness, thank you, yes, thank goodness,” Tyndall will say, almost whimpering. “How much?”
And this is the crazy part. I haven’t sold a book in this store for less than two hundred dollars. Many are much more expensive than that. Penumbra’s database will tell me that “Investigations” by Reynold Kingslake is $1,800.
Not a blink.
After I do my monkey business on the ladder, Tyndall will write a prim check and slide it across the desk. “Thank you,” he will breathe, and then the bell will tinkle again as he hurries back out onto the street. It will be three in the morning.
* * *
THEY ALWAYS PAY. Not one has ever balked. Where do these weird old men get all this money?
This is one of the things I ask myself when I sit here alone, after Mr. Tyndall or Mr. Raleigh or Mr. Fedorov has left. I think I know them all at this point. I think of them as a strange fellowship, but I have no evidence that they know each other. Each comes in alone, and never says a word about anything other than the object of his current, frantic fascination.
I have no idea what’s in those books they pay all that money for. In fact, it’s part of my job not to know.
“You must keep precise records of all purchases. Time. Amount. The customer’s appearance. His state of mind. How he asks for the book. How he receives it. Does he appear to be injured. Is he wearing a sprig of rosemary on his hat. And so on.”
I guess under general circumstances, this would feel like a creepy job requirement. Under the actual circumstances—selling rare books to mad scholars in the middle of the night—it feels perfectly appropriate. So, rather than spend my time staring at the forbidden shelves, I spend it writing about the customers.
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