Misunderstanding Mr. Spockhttps://thecontinentalcongress.substack.com/p/misunderstanding-mr-spockIn the wake of the cancellation of yet another ridiculous “Star Trek” property, this time the hilariously cringe-inducing “Star Trek: Starfleet Academy,” sane audiences are once again asking the question “why can’t anyone get ‘Star Trek’ right?” The answer may be as simple as this… it’s because the studio’s leadership, as well as the creatives so far tasked with bringing new “Star Trek” stories to life, do not understand what “Star Trek” is, they only know what they wish it was.
These days, Hollywood creatives seem to want to write overtly about their own personal politics more than they want to tell great stories. In the Trump era many of Hollywood’s biggest writers, directors and actors believe deeply that the most important thing they can do with the positions in Hollywood to which they have ascended is to use their art to advocate for Progressive policies. It is the Great Cause which has finally brought meaning to their lives.
The problem is that this approach creates terrible drama every time it’s tried… a truth to which Hollywood has remained uniquely allergic over the last twenty years, in part because they believe “Star Trek” is an exception to this iron rule of story. To the modern Hollywood Progressive, the original “Star Trek” series was one which successfully combined exciting sci-fi adventure stories with constant Progressive political agitation. This is a tragic misunderstanding, but one in which Progressives believe so deeply, they have convinced themselves not only that “Star Trek” can continue to agitate for their preferred political outcomes while succeeding as a piece of popular entertainment, but that it must, because Progressive politics is built into the DNA of the “Star Trek” universe and you cannot have one without the other.
The original Star Trek certainly spoke to social and political issues on occasion, but even in those episodes, speaking to those issues was always part of the larger story, not THE story. Too frequently, Hollyweird guts, flays, and sacrifices story on the altar of ideology.
